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In a much-too-long YouTube video, musician Reeve Carney talks about donning the red and blue bodysuit for Broadway.
“We just wanted to get up here on YouTube today to tell you something important to us, and to maybe some people who are fans of certain comic books. Okay, basically, let’s cut to the chase—we wanted to confirm the rumors going around the internet today that I, Reeve Carney, will in fact be playing Peter Parker, the amazing Spider-Man, in the Broadway production of Spider-Man: Turn Off the Dark.”
Click to continue reading Carney Talks Spider-Man Musical
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| Just Jared
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Marvel Comics Review: Ultimate Comics Spider-Man #4
Posted by David Torres Categories: Reviews, Marvel Comics,
Rating: ****
Another great issue by Brian Michael Bendis. The artwork is good too with artist David LaFuente. I complained before about how I thought Peter Parker looked like he was 12 years old instead of 16, but that doesn’t really bother me all that much. The way he tells the story panel-to-panel is reminiscent of Mark Bagley’s work on the original Ultimate Spider-Man title. I think LaFuente is becoming more the true air to the title than Stuart Immonen. No disrespect to Immonen, but I think both Bagley and LaFuente’s styles are better fit for the characters than Immonen. I hope LaFuente stays around for a while.
Bendis continues his masterful run on the Spider-Man character, which began almost 10 years ago. It’s always fascinating to see a writer stay with a character for that long and see the amount of different stories they can tell.
In typical Bendis fashion, the plot is moving along slowly, but you’re not bored. It’s like having a fine meal and you’re slowly enjoying yourself. So far Peter is still dealing with his new house guest the Human Torch and the drama of dealing with his past and current girlfriends Mary Jane and Gwen. The villain is still Mysterio and this new hooded superhero that first appeared in issue one makes another appearance. Is this new character an Ultimate version of the Hood - the villain Bendis is using over in Avengers? Maybe the Hood is a hero in the Ultimate universe.
Click to continue reading Marvel Comics Review: Ultimate Comics Spider-Man #4
Marvel Comics Review: Amazing Spider-Man #610
Posted by David Torres Categories: Reviews, Marvel Comics,
Rating: *** 1/2*
This issue was a lot of fun. It was fast paced and it had non-stop action, which is good for the final issue of a comic book storyline. I also enjoyed the artwork this time; maybe I just grew accustomed to it, but the artwork didn’t bother me as much here in this issue as it did in the others.
Well, I called it in my last review when I said that Kaine would interrupt the stand-off between Peter Parker and Raptor so Peter wouldn’t have to reveal his identity; however, Kaine is there to assist the Raptor - not Peter. We also the flashback to the time when Ben Reilly confronted Raptor (then known as Damon Ryder) in his house - the same house that we know will burn down and kill his family. So we have a two fights playing out back and forth - Kaine showed up during that fight as well. Writer Marc Guggenheim does a nice job of jumping back and forth between the past and the present as well as building up a suspense to final outcome of both stories.
Screwball also shows up again as Spider-Man sets her up for a fight, but it really was a planned diversion for his confrontation with Raptor. This distraction enables Peter to free Harry Osborn and his cousins so that he can change into Spider-Man. Raptor is curious as to why Spider-Man continues to show up to help “Ben Reilly.” Kaine answers that question by pulling off Spider-Man’s mask. The clone situation is explained to Raptor, but Kaine says that Peter is the clone. I think Kaine explains it this way as an excuse for Raptor to take out his revenge on Peter. Raptor may not want to attack Peter if he knew that Ben was really a clone. Just my theory on this situation.
Click to continue reading Marvel Comics Review: Amazing Spider-Man #610
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Lionsgate provides a nice treat for fans of Mark Millar‘s and John Romita, Jr.‘s Kick-Ass, unmasking four posters for the film adaptation.
Instead of touting the actors—which include Nicolas Cage, Superbad‘s Christopher Mintz-Plasse, and Chloe Moretz—the posters (seen after the jump) brandish the characters’ real names as well as their crime fighting alter egos. Placed next to each other (like the comics’ “Umpteenth Printing” variant), the title of the film appears in large block letters in the background.
Directed by Matthew Vaughn, the film hits theaters April 16, 2010.
Click to continue reading Lionsgate Releases Kick-Ass Posters
Read More | IGN
Marvel Comics Review: Captain America: Reborn #4
Posted by David Torres Categories: Reviews, Marvel Comics,
Rating: *** 1/2
After a delay of about a month, the mini-series Captain America: Reborn continues. I’ve really enjoyed this series so far and would recommend it to non-Cap fans as a good example of a good Captain America story. After reading this issue, however, I’m starting to get a bit disappointed. We know Steve Rogers will be “resurrected” and return as Captain America, but we’ve wondered exactly how the story will end with that conclusion. Well, after reading this issue, I think I’ve got the conclusion figured out. It should be good, but I was hoping for something new and different. Maybe I’m wrong and there will be something different, but I doubt it. Before I give my theory of the conclusion, a quick recap.
The Red Skull has more than nine lives. He’s cheated death once again and is now inhabiting a new robotic body. The Red Skull, his daughter Sin, and her boyfriend Crossbones have arrived in Latveria the homeland of Dr. Doom. Doom has the machine that the Skull needs to recover Captain America, who is currently stuck in time. Sharon Carter is the key to getting Steve back; she has surrendered herself because the Skull’s accomplice Norman Osborn revealed to the media that she was the second shooter in the assassination of Captain America.
Click to continue reading Marvel Comics Review: Captain America: Reborn #4
Those folks over at Apple don’t stop at catering to people’s needs. This time, they’re impressing comic book fans, as the iPhone now carries an array of Marvel comics you’ve probably been meaning to catch up on.
Marvel has now made both new and classic issues available via Comixology, iVerse, and Panelfly. Whether it’s the first 25 issues of Stan Lee’s Amazing Spider-Man, Joss Whedon’s Astonishing X-Men, or Robert Kirkman‘s Marvel Zombies, finding something you’ll want to read is guaranteed. The best part of this whole deal is the fact that Panelfly, which has the most comics in its library (84), sells their comics for $0.99 (others generally charge $1.99).
Despite this more cost-effective comic book venture, nothing quite beats the sensation of walking into your local shop, digging through those boxes to find that treasured issue you so desperately want to get your fingers on. What’s a couple dollars or so when you’ve still got that?
Let’s hope the sacred Wednesday tradition of new issues stays intact as well, considering the iPhone doesn’t have that… yet.
Read More | MTV
Weekend Reading: Die Hard, Avengers, Stan Lee and Frank Robbins
Posted by Tom Mason Categories: Editorials, Independent, Marvel Comics,
Happy Halloween! You won’t find any Halloween-themed stuff down below because thousands of other people are already way ahead of me on that. What you will find is some very nifty reading (and looking) on folks like Howard Chaykin, Frank Robbins, indie cartoonist J.R. Williams, Stan Lee, and Blackest Night. Start the ball rolling downhill…
Incognegro: Galleycat gives a shout-out to the new graphic novel by Mat Johnson and Warren Pleece, making it their Featured Book of Color. This Vertigo book has “movie” written all over it, and I’m sure Diane Nelson has noticed that.
Die Hard: Those We Left Behind enjoys the new Howard Chaykin/Stephen Thompson Die Hard prequel, Die Hard: Year One, from Boom! Says TWLB of the just-released second issue: “The series is really capturing the spirit of the McClane character, with his quick wit and regular-guy attitude.”
The Avengers: James Reasoner reviews Marvel Masterworks: The Avengers Volume 1 by Stan Lee, Jack Kirby and Dick Ayers. “It’s also interesting to see the introduction of storylines that would resonate through the Marvel Universe for years, and in some cases, decades afterwards.” But there’s a “but” coming that you’ll have to click and discover for yourself.
Click to continue reading Weekend Reading: Die Hard, Avengers, Stan Lee and Frank Robbins
Comic Book Jobs: Who’s Hiring? Marvel Studios
Posted by Tom Mason Categories: Editorials, Marvel Comics,
Okay, here goes: you want to be a part of the comic book industry and you can’t write, can’t draw, can’t edit. But you still can’t let go of that dream. So suppose you could count things (with or without fingers), manage computer technology, and were a good organizer with mad tech skills. In other words, a computer geek who liked comics instead of a comic book geek who has already mastered Windows 7. Is there still a place at, say, Marvel Entertainment for you to park your assets?
Maybe. Let’s take a look.
Marvel is looking for a Physical Asset Coordinator down in Manhattan Beach, CA. Your job will be to “support Marvel Studios’ physical asset management initiative, including the locating, tagging, photographing, sale and tracking of all physical production assets.” There are a bunch of asset management tasks, many of them are written in very specific language that I can’t translate, but if you can, get that resume over there, pronto.
Also, down in Manhattan Beach, Marvel Studios is looking for a Digital Asset Coordinator to assist with “administration of Marvel’s digital asset management system and facilitate communication and secure data transfer between various groups within Marvel corporate and production.” You’ll have a lot of technical duties, and you’ll need some theatrical production experience and familiarity with various video and image formats beyond just being able to post stuff on YouTube. And if you think “letterboxing, streaming, and compression techniques” are tortures from a Uwe Boll movie, it’s best to move on.
Click to continue reading Comic Book Jobs: Who’s Hiring? Marvel Studios
Marvel Comics Review: Amazing Spider-Man #609
Posted by David Torres Categories: Reviews, Marvel Comics,
Rating: *** 1/2*
Part one of the “Who was Ben Reilly” story arc left me a bit disappointed two weeks ago. This week, the story continues and picks up right where we left off. This issue was a much better read as there wasn’t as much silliness here in this issue than there was in the last. For whatever reason the silliness annoyed me and here we have some serious action with a sprinkling of the Spider-Man wit mixed in.
When we last saw Spider-Man, he was fighting Kaine at Raptor’s abandoned hide out. Spider-Man wants to know the connection as to why Kaine has showed up at the same time Raptor has shown up thinking Peter is really Ben Reilly. Kaine reveals to Spider-Man that he is not here to fight him, but is instead looking for Raptor aka Damon Ryder as he maybe the only man who can stop his cellular degeneration.
Click to continue reading Marvel Comics Review: Amazing Spider-Man #609
Starr The Slayer #1: Daniel Way & Richard Corben
Posted by Tom Mason Categories: Reviews, Marvel Comics,
As I’ve said in the past, I’ll buy pretty much any comic book that lurks on the outer edges of DC and Marvel. That’s where the off-the-wall, non-continuity stuff can be found, and there are some real gems that feel like someone’s sliding them under my door and running off. Starr The Slayer is one of the latest, written by Daniel Way (Deadpool) and illustrated by the most-excellent Richard Corben (Den; Hellboy; Cage).
In the first issue of this four-part mini-series, pulpy genre writer Len Carson enjoys wild success with a series of Conan-like books called Starr The Slayer. So successful that he’s soon churning out books like crazy and driving fast cars packed with top-heavy women. Y’know, just like real life. He soon tires of success because “the lit scene calls to me.” Twenty years after he’s abandoned his barbarian creation and failed to crack the world of tweed jackets, college professors and Borkum Riff, he’s ready to tackle his greatest creation one last time.
In a parallel story, Starr, a barbarian with a hot temper, journeys from his village to “civilization” with his family. They promptly hit a wall of trouble, his family is killed and Starr is forced to fight in an arena, where he brutalizes a local named Trull so badly that the disfigured guy runs away to concentrate on the black arts—and making these two parallel stories collide.
Click to continue reading Starr The Slayer #1: Daniel Way & Richard Corben
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