Zack Snyder Teams with Nolan for Superman Reboot
Posted by Veronica Santiago Categories: Warner Bros, Action, Adaptation, Adventure, Remakes, Filmmaking, Scripts, Upcoming Releases,
Zack Snyder, the director behind 300 and Watchmen, has been tapped to helm Warner Bros.’ upcoming remake of Superman.
Snyder, who most recently directed Legend of the Guardians: The Owls of Ga’Hoole, will work with producer Christopher Nolan on the project. His name was chosen from a field of contenders that included Matt Reeves, Darren Aronofsky, Tony Scott and Ben Affleck.
The story – as Nolan hinted earlier this summer – will have close ties to the Richard Donner versions. General Zod will reportedly be included in the script by David Goyer (Batman Begins).
No casting decisions have yet been announced. Production on the film should begin by next year.
Read More | Hollywood Reporter
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Box Office Breakdown: Wall Street Rises to a Win
Posted by Veronica Santiago Categories: 20th Century Fox, Disney, Lionsgate, Sony, Universal, Warner Bros, Action, Adaptation, Adventure, Animation, Drama, Family, Horror, Science Fiction, Sequels, Comedy, Thrillers, Box Office, Lists,
Twenty-three years after we were first introduced to Gordon Gekko, Michael Douglas and Oliver Stone have both seen their stock go up. Wall Street: Money Never Sleeps, which earned $19 million over the past three days, gave the Oscar-winning actor his first #1 film since 2001’s Don’t Say a Word and Stone his best debut to date. (That total is, of course, considered chump change to Shia LaBeouf.)
The weekend didn’t look quite so rosy for Legend of the Guardians. Although the Zack Snyder-directed adaptation landed in second place, the movie only grossed $16.1 million. (Keep in mind that the movie cost $79 million to produce.)
Meanwhile, Disney proved Betty White’s mere presence doesn’t necessarily mean comedy gold. You Again – also starring Kristen Bell and Sigourney Weaver – debuted in fifth place with $10.6 million. (Somehow I doubt this will help Bell’s chances of ever getting a Veronica Mars movie off the ground.)
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Box Office Breakdown: The Town Takes the Crown
Posted by Veronica Santiago Categories: 20th Century Fox, FOCUS, Lionsgate, Sony, Universal, Warner Bros, Action, Animation, Drama, Family, Horror, Science Fiction, Sequels, Comedy, Thrillers, Box Office, Lists,
The Town, Ben Affleck’s second directorial feature, surprised analysts this weekend with a win at the box office. The film, which far surpassed Gone Baby Gone’s $5.5 million debut in 2007, earned $23.8 million—a September-best for Warner Bros. The drama, co-starring Jon Hamm and Jeremy Renner, also gave actor Affleck his first #1 film—outside of He’s Just Not that Into You—since Daredevil.
Although many had Easy A topping the charts, the film came in a very respectable second place. The Emma Stone-starrer – which only cost $8 million to produce – generated good reviews and a $17.7 million take.
The weekend’s other two new wide releases also landed in the Top 5. The PG-13 horror film Devil raised $12.3 million while Alpha and Omega, a more family-friendly entry, rang up $9.1 million in ticket sales.
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Read More | Box Office Mojo
Box Office Breakdown: Evil Takes Up Residence at Number One
Posted by Veronica Santiago Categories: 20th Century Fox, FOCUS, Lionsgate, Sony, Warner Bros, Action, Adaptation, Documentary, Drama, Horror, Independent, Romance, Science Fiction, Sequels, Comedy, Thrillers, Box Office, Lists,
Who says the third time’s the charm?
Resident Evil: Afterlife—the fourth movie in that sci-fi series—topped the box office this weekend with franchise-breaking numbers. The movie, which was offered in 3D, had the best Evil debut to date. (Yes - higher ticket prices did play into this.) Afterlife‘s $26.7 million take surpassed the bar set by Resident Evil: Extinction in 2007. (That outing opened to $23.7 million.)
Since Resident was the only new wide release, the other notable events occurred outside the Top Ten. The Romantics, starring Katie Holmes and Josh Duhamel, opened in limited release with a $45,527 debut. More importantly, the movie averaged $22,764 per theater—the best number for all films over the weekend. In comparison, I’m Still Here—featuring a disheveled Joaquin Phoenix—only had a $5,087 per screen average.
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Box Office Breakdown: The American Defeats Machete
Posted by Veronica Santiago Categories: 20th Century Fox, FOCUS, Lionsgate, Sony, Universal, Warner Bros, Action, Adaptation, Drama, Family, Horror, Romance, Science Fiction, Sequels, Comedy, Thrillers, Box Office, Lists,
Although it lacked Jessica Alba, Lindsay Lohan and Robert De Niro, The American did have two things Machete didn’t: George Clooney and a box office win.
Despite only grossing $13.2 million over the weekend ($16.3 million since Wednesday), the Focus Features entry hit its target. The movie - which was produced for approximately $20 million - managed to top the Robert Rodriguez-actioner by less than $2 million. The American also became Clooney’s best opener - outside of any Brad Pitt-related project - since The Perfect Storm in 2000.
Machete, based on a trailer included in the film Grindhouse, came very close to matching the earlier movie. The Danny Trejo starrer debuted to a modest $11.4 million—about $200,000 short of Grindhouse‘s premiere in 2007.
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Box Office Breakdown: Takers Takes the (Close) Win
Posted by Veronica Santiago Categories: 20th Century Fox, Disney, Miramax, Lionsgate, Sony, Universal, Warner Bros, Action, Adaptation, Drama, Family, Horror, Romance, Satire, Science Fiction, Sequels, Comedy, Thrillers, Box Office, Lists,
Although early reports had The Last Exorcism in first place this weekend, the final numbers told a different story. When the dust finally settled on Monday, Lionsgate’s Takers had squeaked out a slim lead. (Less than $200,000 separated the two films.)
Exorcism, though, did not walk away a loser. The movie “documenting” a priest’s final exorcism earned just over $20 million—and it only cost $1.8 million to produce. The PG-13 flick also surpassed The Unborn‘s 2009 debut ($19.8 million), though it did fall short of The Exorcism of Emily Rose. (That 2005 release opened to $30 million.)
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Read More | Box Office Mojo
Box Office Breakdown: The Switch Fails to Light Up
Posted by Veronica Santiago Categories: 20th Century Fox, Miramax, Lionsgate, Sony, Universal, Warner Bros, Action, Adaptation, Adventure, Drama, Family, Horror, Romance, Satire, Science Fiction, Sequels, Comedy, Thrillers, Box Office, Lists,
Maybe a quick trip to Cougar Town is something Jennifer Aniston could use right now.
Days after blurting out the R-word on television, Aniston is dealing with another ding in her career: the box office disappointment. The Switch, co-starring Jason Bateman, produced only $8.4 million over the past three days while narrowly escaping eighth place. The good news? The movie raised slightly more than Jen’s Love Happens did back in September. The bad news? The comedy earned about $4 million less than Jennifer Lopez’s baby movie, The Back-Up Plan, did in April.
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Read More | Box Office Mojo
Box Office Breakdown: Expendables Team Up Against Julia Roberts
Posted by Veronica Santiago Categories: DreamWorks, Disney, Lionsgate, Paramount, Sony, Universal, Warner Bros, Action, Adaptation, Adventure, Animation, Drama, Family, Romance, Science Fiction, Sequels, Comedy, Thrillers, Box Office, Lists,
For some people, eating, praying and loving is the way to go. For others, shooting and fighting is the preferred course of action.
The Expendables, directed and co-written by Sylvester Stallone, overpowered the competition this weekend with a $34.8 million finish. The combined star power of the cast – which included Dolph Lundgren, Jet Li, Mickey Rourke, and Jason Statham – helped land the actioner in first place while awarding Stallone his biggest debut to date.
Although Eat Pray Love fell in second with its $23.1 million take, the movie was by no means a disappointment. The Julia Roberts vehicle premiered on par with Julie & Julia’s $20 million kickoff last August. Meanwhile, Roberts earned her best opening numbers in 10 years (outside of the Oceans franchise).
Unfortunately for Michael Cera, it appears the world was simply working against Scott Pilgrim vs. the World The $60 million comic book adaptation only raked in $10.6 million over the past three days.
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Read More | Box Office Mojo
Box Office Breakdown: Victory for The Other Guys
Posted by Veronica Santiago Categories: FOCUS, Disney, Paramount, Sony, Universal, Warner Bros, Action, Adaptation, Adventure, Animation, Drama, Family, Science Fiction, Sequels, Comedy, Thrillers, Box Office, Lists, Technology,
Will Ferrell is no longer stuck in the Land of the Lost.
After stinking up the theaters last summer with his science fiction remake, Ferrell has rebounded nicely with The Other Guys. Sony’s buddy-cop flick opened to $35.5 million over the weekend, giving the funnyman his second highest debut ever. (Talledega Nights rang in $47 million in August 2006.) The comedy also performed well for Mark Wahlberg. It was his best outing since Planet of the Apes’ $68.5 million kickoff in 2001.
Unfortunately, 3-D screens and So You Think You Can Dance plugs couldn’t push Step Up 3D further up the charts. The $40 million film only grossed $15.8 million in ticket sales while coming in lower than the first two installments. (Step Up premiered to $20.7 million in 2006 while Step Up 2 the Streets opened to $18.9 million in 2008.)
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Box Office Breakdown: Dinner for Schmucks Comes Up Short
Posted by Veronica Santiago Categories: DreamWorks, Disney, Paramount, Sony, Universal, Warner Bros, Action, Adaptation, Adventure, Animation, Drama, Family, Remakes, Romance, Sequels, Comedy, Thrillers, Box Office, Lists,
Fans aren’t quite ready to wake up from the dream just yet.
Despite competition from Steve Carell, Zac Efron and cute animals, Inception managed to continue its reign over the box office. The Christopher Nolan film - which is nearing the $200 million mark - added another $27.5 million to its total and became the third entry of the year to three-peat. (Alice in Wonderland and Shrek Forever After also had three wins under their belts.)
Warner Bros.’ win meant leftovers for Dinner for Schmucks. The Paramount comedy, which cost in the neighborhood of $60 million to produce, only brought $23.5 million to the table.
Meanwhile, Charlie St. Cloud narrowly beat out Cats & Dogs: The Revenge of Kitty Galore for fifth place. The two entries were separated by approximately $100,000.
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Read More | Box Office Mojo
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