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This Week on DVD and Blu-ray: December 7, 2010

Inception Blu-rayHere are some of the options available this week:

  • Absence of Malice: DVD
  • Cronos: DVD, Blu-ray
  • The Fisher King: DVD
  • Hugh Hefner: Playboy, Activist and Rebel: DVD
  • Inception: DVD, Blu-ray
  • Jagged Edge: DVD
  • Lost in Translation: Blu-ray
  • Restrepo: DVD, Blu-ray
  • Rush Hour: Blu-ray
  • Shrek Forever After: DVD, Blu-ray
  • St. Elmo's Fire: DVD, Blu-ray

Make sure to also check out the options for this week.

Read More | Amazon

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This Week on DVD and Blu-ray: September 8, 2009

Crank 2 DVDHere are some of the options available this Tuesday:

  • Bedknobs and Broomsticks: DVD
  • Catwoman: Blu-ray
  • Crank 2: High Voltage: DVD, Blu-ray
  • Creepshow: Blu-ray
  • Dance Flick: DVD, Blu-ray
  • Dead Calm: Blu-ray
  • Freddy vs. Jason: Blu-ray
  • Friday: DVD, Blu-ray
  • Local Color: DVD
  • Menace II Society (Director’s Cut): DVD, Blu-ray
  • The New World (The Extended Cut): Blu-ray

Click to continue reading This Week on DVD and Blu-ray: September 8, 2009

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Jackie Chan Disappointed By ‘Rush Hour’ Films

Posted by Veronica Santiago Categories: New Line, Action, Comedy, Celeb News,

Jackie ChanShould we excuse an actor for making a film he didn’t even like—especially when it takes in millions of our theater dollars? 

, who co-starred with in the series, is now admitting his indifference toward all three installments.

Although he never really understood the humor, the Hong Kong star participated in the original 1998 version in hopes of establishing crossover appeal.  Money and ‘fan satisfaction’ were simply the motivators for the next two.  Granted, he wouldn’t be the first person to admit he made a sequel for the paycheck—but he may be one of the few to admit he wasn’t a fan of his own work (especially when his movie is still in the theaters).  And while the fight scenes might have been too watered down for Chan’s taste, American audiences liked them enough to help each film gross over $137 million or more.

So what do you think about this?  Do you believe Chan should leave his preferences/opinions behind if he’s going to make a film in the US?  Is it right for him to bash a series he was partially responsible in making?  Or do you agree with his perspective on the Rush Hour series overall?

Read More | USA Today

Box Office Breakdown:  The Brave One Reaches #1

The Brave One

The Brave One took in nearly $15 million in its debut, making it the #1 film of this past weekend.  Although some may consider the gross disappointing for a film, I choose to think of it as a feat for women.

I decided to do a little research today and came away with some very unsettling news.  Since FilmCrunch started reporting Box Office numbers in mid-January, no female-led movie has reached the top of the pack.  That’s unless you count with , and I don’t.  Even then, that was almost 3 months ago.

, and made a stand for strong female roles during Sunday’s Emmys—and maybe it’s time that someone finally spoke up for women in film.  Until then, I’ll be counting the days until makes her royal return in Elizabeth: The Golden Years (out October 12th).

Click to continue reading Box Office Breakdown:  The Brave One Reaches #1


Box Office Breakdown:  Yuma Ropes Up The Win

Yuma

Audiences went old-school this weekend helping 3:10 to Yuma corral the box office crown.  The well-received film, starring and , marked the second week in a row a classic movie remake landed at #1.  (Previous winner, Halloween slid down a notch this week).

Question now is:  Will the success of Yuma spur an onslaught of Westerns?  Given the lack of any real competition this weekend, it still may be too soon to say.  But any speculation will probably be confirmed when ‘s The Assassination of Jesse James by the Coward Robert Ford opens on September 21.

A trend that probably won’t be coming back anytime soon?  Brothers-desperately-trying-to-make-a-baby-to-make-their-father-happy-before-he-dies films.  The Brothers Solomon delivered a pathetic $525,000 in its debut weekend.  Granted, it didn’t show in many theaters (only 700)—but I’m guessing there was a reason for that.

Click to continue reading Box Office Breakdown:  Yuma Ropes Up The Win


Box Office Breakdown:  Holiday Comes Early For Halloween

Halloween

Rob Zombie’s remake of the classic film, Halloween, scared up over $30 million this weekend smashing Transporter 2‘s 2005 achievement ($20 million).  Additionally, the horror film’s record gross capped off a successful summer for films overall.  With fifteen movies over the $100 million mark, the movie industry soared past $4 billion domestically.

Unfortunately, Jason Statham’s War did very little to contribute to this landmark achievement.  While he may have been a record-setter two years ago, his latest outing is slowly dropping off the charts.  Meanwhile, the weekend’s other two major openings—Balls of Fury and Death Sentence—fared decently enough to at least make a showing.

Click to continue reading Box Office Breakdown:  Holiday Comes Early For Halloween

Read More | Variety

Box Office Breakdown:  Geeks Fight Off Statham, Jet Li

Superbad

No, you are correct.  Superbad is one of the few movies that has managed to stay at #1 for more than one week this summer.  The movie that only cost $20 million to make now shares the Two-Timers title with Spider-Man 3 and Pirates Of The Caribbean: At World’s End.  (And I’m guessing those movies cost a bit more to produce).

Not only did the high-schoolers hold back the action-packed War (starring Jason Statham and Jet Li), but so did the aging Bourne Ultimatum and British goof Rowan Atkinson (Mr. Bean’s Holiday).

Unfortunately, the Top 5 was so testosterone-laden that it didn’t leave any room for the film adaptation of The Nanny Diaries.  I’m wondering if more women were eager to see that hunky Statham than be reminded of their bratty kids waiting at home…

1. Superbad, Sony, $18,044,369
2. The Bourne Ultimatum, Universal, $12,472,215
3. Rush Hour 3, New Line, $11,706,643
4. Mr. Bean’s Holiday, Universal, $9,889,780
5. War, Lionsgate, $9,820,089
6. The Nanny Diaries, Weinstein Co., $7,480,927
7. The Simpsons Movie, Fox, $4,317,689
8. Stardust, Paramount, $3,872,560
9. Hairspray, New Line, $3,265,384
10. The Invasion, Warner Bros, $3,093,428


Box Office Breakdown:  It’s Super To Be Bad

Superbad

The Judd Apatow train is bound to hit a roadblock at some point—but for the time being, it’s full steam ahead.  Superbad opened impressively with over $30 million this weekend making it the third Apatow-related project in a row to accomplish this feat (the others being Talledega Nights and Knocked Up).  This is, of course, not taking into consideration the uber-sleeper hit The 40-Year-Old Virgin.

Meanwhile, there was nothing super about Nicole Kidman’s latest outing.  The Invasion, the latest version The Body Snatchers, scared up a dismal $5.9 million (and that’s despite Daniel Craig’s hunky presence).  But I predict a much stronger outing for these two later this year with The Golden Compass.

Click to continue reading Box Office Breakdown:  It’s Super To Be Bad


Box Office Breakdown:  Audiences Not Yet Tuckered Out

Rush Hour 3

Spider-Man 3, Shrek the Third, Pirates, Ocean’s, Bourne and now Rush Hour 3.  All six three-quels premiered directly at the top of the heap this summer.

Unfortunately, a six-year gap between the second and third Rush installments may have led to what some would consider slightly disappointing receipts.  On any other occasion, a $50 weekend would be something to brag about.  But considering it pales to the $67.4 million brought in by the 2001 predecessor, it’s only worth a pat on the back.

But really, the Disappointment of the Week honor should really fall on Cuba Gooding Jr.  When you’re accepting rejected scripts from the man who played Norbit, you have to wonder where it all went wrong (two words: Chill Factor).  Sadly, Daddy Day Camp was originally slated to be a straight-to-video release but somehow tested well enough to be released in theaters.  Who knows?  Maybe Gooding can pull a Halle and go straight-from-Oscar-to-Razzie.

Click to continue reading Box Office Breakdown:  Audiences Not Yet Tuckered Out


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